Watched with CK. The plot doesn’t make any sense whatsoever. But very, very entertaining. Anyone who claims to understand what’s going on after the first 32 viewings is a damned liar. A perfect one-line review:
So suit up […] for what may not be Nolan at his best, but is definitely Nolan at his most.
Excellent soundtrack by Ludwig Göransson (first came by his work when watching The Mandalorian and just knew he was something special.)
Also the Sator Square for a standard dose of Nolan apophenia1. See also: The pitch meeting.
It has no goddamn ‘meaning’ other than being a middle-school palindromic curiosity (and contributes nothing other than names to the plot.)↩︎